Professional journalists in a digital era

With Internet features of distributed “anti-hierarchical network structure and multi-directional communication capabilities”, interactivity has been seen as a phenomenon of disintermediation in the digital media age (Newhagen and Levy, 1998; Hall, 2011 in Domingo 2008). In other words, if journalists fail to attract their audience, “online users might look for other spaces to share information in a more horizontal, many-to-many way” (Domingo 2008). Actually, they do. Every citizen becomes a producer contributing eye-witness journalistic content or their own created content to the media nowadays with new technologies such as internet and smartphones. That might make journalists irrelevant.

They are citizens who can upload their food photos on photo share website Flickr to share their passions of making food. Some might also upload video clips to demonstrate how to cook a chicken soup for family on YouTube. However, they are professional journalists who put in effort and take risks to report the truth of whether the food is fresh or not in fresh food market, or ring health experts to analyze how does fast food affect our next generation for examples. I think we still need professional journalists who use their knowledge and storytelling skills to cover the news for the public.

(By IzuenGordelekua)

In addition, some others argue that the more information available online, the more necessary for journalists to filter online content for the public although the relationship between journalists and their audience might change dramatically (Singer, 1997 in Domingo 2008). At the same time, in web 2.0, technologies like search engine Google are also selecting newsworthy content for us. For instance, if a user-created video clip of rating restaurants in Sydney has been viewed millions of times on YouTube, it will come up when we searching online via simply typing “rating restaurants” in Google. That is called the wisdom of crowds. Similarly, if we use # rating restaurants to search relevant content on Twitter, we may get millions of tweets which might comment or have links to news articles and video clips.

References:

Domingo, D 2008, ‘Interactivity in the daily routines of online newsrooms: dealing with an uncomfortable myth’, Journal of Computer-Mediated Communication, 13: 680-704.

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Facebook Matters

Facebook is now the largest social network platform in the digital media age with more than 500 million active users around the world (Harlow 2011). There are options for users to click ‘like’ for Facebook content or respond to a comment. Users can also cite links to videos, photos and texts in their comments. Harlow (2011) says these Facebook’s features are interactive which also serve to “attract attention from users, further contributing to online participation and, eventually, offline participation.” However, there are arguments around whether only virtual interaction could build trust among participants in the scholarly field (Diani in Harlow, 2011).

MasterChef Australia, which has reached one million Facebook fans recently, could be a good example to analyze how people communicate on Facebook. MasterChef Australia is a light entertainment chef competing TV program. It uploads video clips of shows and updates news and information on its Facebook home page to engage with fans. Links to other video clips from its YouTube Channel and online news articles from its website are cited into comments on Facebook. For the current activity of applying for MasterChef Australia 2013 on its Facebook home page, more than one thousand people like this activity. There are eighty seven comments such as “will MasterChef 2013 move to Melbourne” and “how to get free tickets to the show”. Both MasterChef Facebook team and MasterChef Live are communicating with people via answering questions or giving suggestions to candidates. MasterChef Australia  even asks its Facebook fans to leave questions about MasterChef 2012 champion Andy Allen, who recently published his book The Next Element, for its show which has attracted almost three hundreds of comments.

MasterChef Australia is taking advantage of social network site Facebook to build its brand. On the other hand, virtual interaction on Facebook, in my view, can promote trust among users. According to Harlow’s research which is based on depth interviews and content analysis, online Facebook activity of high-frequency posters also can be translated into offline participation. Therefore, the activity of applying for MasterChef Australia 2013 on its Facebook has the potential to attract more candidates.

Reference:

Harlow, S 2012, ‘Social mediaand justice movements: Facebook and an online Guatemalan Justice movement that moved offline’, New Media and Socity, 14(2): 225-243.

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How do smartphones work?

Dining in a German restaurant on Gorge Street in Sydney, Jay Zheng used his smartphone to take a photo of his main course Pork Knuckle before he started eating. Jay uploaded his food photo to Facebook and left a short comment ‘succulent’ under the photo after he finished his coffee Latte. There were more than twenty ‘likes’ and comments left by his Facebook friends shortly. Castells (in Allan 2007) describes this phenomenon as the rise of ‘mass self-communication’, in which ordinary citizens use new technological means like smartphones and forms such as video clips and digital images to build their own networked communities.

Using only a smartphone, people are able to record, edit and upload digital images, video clips and eyewitness news stories to the Internet from almost anywhere. Burum (2012) says “the possibilities for a mobile-led communication revolution have never been greater.” According to marketing statistics of final quarter of 2011, “an iPhone left an Apple retailer every 4.2 seconds compared to one baby born every 4.6 seconds (Burum).” In other words, iPhones were sold faster than babies were born. In addition, little gadgets of smartphones make editing easy for ordinary people.

(Screen cutting from Charlotte Wood’s blog post)

Food is one of the popular trends in the new form of do-anything-from-anywhere mobile storytelling, whose topics vary from where to find a restaurant for first dating to how can enjoy seasoned vegetarian dishes with limited budget. I think they are potential raw material which might contribute to beautiful human interest stories. Food blogger Charlotte Wood uses her smart phone to make video clips for her food blog posts. For example, she cited a video clip made by herself in one of her posts recently, in which a little girl is demonstrating how to separate egg yolk with a plastic bottle. Under the post are comments of her blog audience. Main stream media websites like ABC open on the other hand, are welcoming citizens to share their smartphone recorded stories on their websites.

References:

Allan, S 2007, ‘Citizen Journalism and the Rise of “Mass Self-Communication”: Reporting the London Bombings, Global Media Journal – Australian Edition, 1(1).

Burum, I 2012, ‘Media gets its mojo on’, The Walkley Magazine, Issue 72, July-Austst.

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Audition of K-pop singers’ Selecting (TV story script)

K-Pop star Audition

Korean popular music singer global audition launches in Sydney today.

More than one hundred teenagers and young people were bringing their well-prepared singing and dancing to the audition.

Dongyan Wang has more.

The audition of Korean popular music singer selection attracts more than one hundred international K-Pop lovers today in Sydney.

Korean popular music mixing with dance, electronic and hip hop, is popular among teenagers and young people around the world.

Waking up in the early morning, K-Pop lover Jilly Sun prepared her performance in her small apartment and put on makeup by her own.

I AM GOING TO SING THE SONG ‘NOBODY BUT YOU’ TODAY. I AM LEARNING KOREAN LANGUAGE FROM KOREAN DRAMAS. I LOVE KOREAN CULTURE, FOOD AND OF COURSE K-POP MUSIC STARS. I HOPE I CAN WIN THE FREE FLIGHT TICKET TO KOREA.

The K-Pop dancing song of Gangnam Style, whose video clip has been viewed more than three-hundred-million times recently on YouTube, was a popular performance song in today’s audition.

Gangnam Style becomes popular because of its horse riding dancing which dramatizes body movements of riding horse in dancing.

University Student Sunny Jin said he was inspired by the dancing song of Gangnam Style and re-mixed another popular song with South African drumming performance for his audition.

I AM EXCITED BUT SCARED TO PERFORMANCE ON THE STAGE NOW. I WISH I CAN HAVE MORE TIME TO PRACTICE MY SINGING AND DRUMMING.

K-POP LOVERS ARE WORKING HARD TO PREPARE FOR THEIR SINGING AND DANCING IN THE COMMON ROOM NOW WITH THE HOPE TO BECOME NEXT K-POP STARTS.

Dongyan Wang, UNSW news.

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Week 10 presentation outline

Presentation Outline

 Thanks to Web 2.0 and new communication technologies, there are more opportunities for citizens to give opinions on current issues in the digital public sphere. It is a phenomenon that online users leave comments under online news stories on big issues, such as ethical issues, as a way to voice opinions nowadays in some countries (Laslo et al. 2011). In today’s presentation which is based on the reading of ‘A growth medium for the message: Online science journalism affordances for exploring public discourse of science and ethics’, I will discuss user-generated content and ethical considerations in a digital era.

 User-generated content

Laslo et al. (2011) examine how new media foster public discussion of science related issues via analyzing 600 readers’ comments of 10 online news articles of animal experimentation. Take the story of Ye Shi Wen which also touched ethical issue of doping as another example, lots of news stories about her online use the news angle of doping suspicion after Ye won an Olympic gold medal because of her outstanding performance in women’s 200-meter individual medley. Under these news stories are lots of readers’ comments. Laslo et al. (2011) describe audience in this kind of situation as a ‘growth medium’ in which “seeds planted by individual stories” can grow into fruitful topics contributed by community itself. This process is called ‘produsage’ in online news media (Bruns 2007).

It is argued that citizens could engage in agenda-setting through producing original content, like comments and affecting the agenda-setting processes of established professional media (Goode, in Laslo et al. 2011). Some journalists do take advantage of readers’ comments through inserting, citing and directly quoting them in their news stories. Take the story of badminton players Lee Chong Wei and Lin Dan as an example, Malaysian musician and film maker, as upload a video clip on YouTube, in which he criticizing Lin Dan in defamatory language, after Lee Chong Wei lost the game of Men’s badminton final in 2012 London Olympic Games (Hazellah 2012). There are huge amounts of comments online about this issue shortly. Journalists covered this story on their media organization website which was seen as a story defined by citizens, or at least raised awareness by online users. Readers’ comments were also cited in news stories. However, some other media organizations, especially traditional media organizations, refuse to have the feature of leaving comments under news articles for the audience on their websites. It is said that these media organizations are unwilling to give their audience the power to affect news stories and define news topics. Not all the websites which published the story of Ye Shi Wen, has the feature of leaving comments. USA today’s sports does while the telegraph doesn’t.

Ethical considerations

All the examples of animal experimentation in the reading, doping in Ye’s story and offensive video clip involve ethical issues. In the digital public sphere, both opinions of journalists and citizens matter. Do you agree animal experimentation or not? How to define a person’s offensive behaviors? What’s your decision based on? Leibovitz (in Laslo et al. 2011) says previous experience and knowledge can only contribute to conclusions which is called scientific decision making. Ethical or moral decision-making, on the other hand, is based on your habits or consequences.

To gain moral virtues which are from your habits, Aristotle thinks they can be acquired by practice. Any virtue is a mean of tow vices, e.g. courage is a mean of rashness and cowardice, which is also called golden mean (Aristotle, 2004 [Trans. Thomson]). If your decision is based on the result or consequence, are you seeking “the greatest happiness for the greatest number” which is a key theory of Philosopher Mill who takes consequence principle into consideration when making decisions on ethical issues (Thomas, 1985)?

 Discussion Question:

Do you think online users could engage with agenda-setting or the agenda-setting processes of established professional media in today’s digital era? How and Why?

Based on ethical frameworks of Kant and Aristotle, What should we keep in mind when we are making decisions on ethical issue or doing journalistic practice in the digital public sphere?

 Examples:

The case of news story “Ye She Wen”

The case of news story “YouTube video clip”

The case of media organization “the telegraph

References:

Bruns A, 2006 ‘From Reader to Writer: Citizen journalism as news produsage’ in

  Hunsinger et al. (eds) Internet Research Handbook, Spring, Dordrecht, pp.119-134.

 Hazellah A, 2012, ‘Namewee apologies over controversial video clip’ New Straits      Times, 13 August.

 Laslo E, Baram-Tsabari A and Lewenstein B V, 2011 ‘A growth medium for the        message: Online science journalism affordances for exploring public discourse of    science and ethics’, Journalism, 12: 847.

‘Namewee threatens Lin Dan on YouTube’, dailychilli.com, 10 August, 2012,

accessed 26 September, 2012.

<http://www.dailychilli.com/buzz/19055-namewee-threatens-lin-dan-on-youtube&gt;

Thomson, J A K, 2004, Aristotle: the Nicomachean Ethics, Penquin Books, London.

 Thomas W, 1985, Mill, Oxford University Press, New York.

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Reflection on news story of “Old Paris”

Reflection

I saw the exhibition of ‘Old Paris’ with my friend last Sunday at Art Gallery of New South Wales. I spent a whole afternoon looking closely at each single photograph. I learned photography from 2007 to 2009 in Shanghai. I like the way that Eugene Atget captured the city of Paris. Both the subjects and the structure of his photographs show his personal tastes. It is different from other photographers.

 

I decided to write a critical review of the exhibition of ‘Old Paris’. It is about art, Atget and old Paris. I was touched by Atget’s works and I planned to tell ‘why’ in my critical review. It is my understanding of Atget’s ‘Old Paris’. I hope it is not an advertisement. The exhibition is still in Sydney now. People might be interested in Atget’s life. I think my opinion article has the news worthy of proximity, human interest and prominence.

 

I hope photography lovers or even some junior photographers could be inspired by Atget to capture today’s Sydney in their own way.

 

Before I started writing, I did a lot of research about Eugene Atget and how does Paris look like in the late nineteenth century and the early twenties century. I did a lot of reading of critical review articles from magazine to get be inspired.

 

(By Eugene Atget)

Granato (1990) says the best feature leads are short, stark statements that create suspense. I hope my lead “I was attracted to the world on the wall at first glance” works. I explained what attracted me immediately with the following sentence “It is a disappearing Paris recorded in Eugene Atget’s photographs.”

 

For the body of my opinion piece, I give more detail of “Old Paris”, photographer Eugene Atget as background information. I try to see how Atget’s life experience affected his photographs. That is my method to critic his works. That is also my logic, or structure, to run my opinion article.

 

I use narrative language to tell a little of Atget’s life. For instance, I say “Atget met his life partner, actress Valentine Compagnon in 1886…” in my article to highlight his life. I use the skill of describing to engage the reader with Atget’s photographs of ‘Old Paris”. For example, I set a scene via saying “…sky is grey on Paris’ foggy days. The roads, alleys, facades, squares, courtyards and adjoining houses in his photographs are quite remote from grand gestures…Paris in his works seems like a lost city somewhere between night and dawn.” I select some quotes from other artists to balance the opinion. For example, American artist Man Ray says Atget’s Paris is “still and seemingly empty yet full of extraneous detail”.

I am not going to summarize what I have said as the end. I want to give a short but powerful end in a circular way for my opinion piece, which is recommended by Granato (1990) who also says “your final paragraph echoes something mentioned in the lead to bright back your reader to the lead”. Therefore, I say “I must not be the only person who cannot move in front of his photographs, and picture myself in mind on the deserted street of old Paris, a very dreamlike world…” in the end to bring my reader back to my lead, in which I says “I was attracted to the world on the wall at first glance”.

 Bibliography:

Granato, L 1990, Newspaper feature writing, Deakin University Press, Geelong, Victoria.

 

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Old Paris

Eugene Atget’s ‘Old Paris’

I was attracted to the world on the wall at first glance. It is a disappearing Paris recorded in Eugene Atget’s photographs. The still world is labelled with ‘Old Paris‘ in today’s exhibition at Art Gallery of New South Wales. It is the first time presenting Atget’s photographs in depth to Australians.

I don’t know how to tell the feeling of seeing a city’s past, especially Paris, one of the greatest cities in the world. It might be in vain to tell the beauty of ‘Old Paris” in language.

Not all of us have heard Atget’s name. Lots of us must have seen his works only if we ever searched ‘Old Paris’ online. Atget is honored as the father of modern photography but was not well known until the day he died in 1927. Fame didn’t add anything to his life.

He could not earn a living as an actor before he decided to become a professional photographer in 1890. He commenced the Art in ‘Old Paris’ and ‘Paris picturesque series’ in 1898. He started selling his photographs to the Musee Carnavalet at the same year. Atget’s famous American artist neighbor, Man Ray purchased his photographs from 1921. Thanks to Atget’s primary client, Musee Carnavalet, and his neighbor Man Ray, we can see “Old Paris” exhibition today.

Because of his life experience of acting, we can feel his theatrical thinking on setting themes, selecting subjects and presenting emotions in his photographs today. One of his photographs shows a male street vendor walking on an alley with lampshades in his hands and on his back. He was looking at somewhere but not the camera. It is telling a small piece of story about the vendor. I just wonder how many lampshades he had sell on that day. It is generally believed today that it is the best way to capture Paris.

How lucky are we to see Atget’s Paris not affected by demolition and modernization. Paris was demolished from 1950s by the civic planner Baron Haussmann. Old Paris was disappearing from that day. Atget focused on small trades, shops, the streets of Paris, gardens and the River Seine rather than modern grand boulevards, green spaces, railway stations and the metro that were built during the modernization.  American photographer Bernice Abbott said “there was a sudden flash of recognition – the shock of realism unadorned” in Atget’s photographs.

People might be surprised to recognize that some shop signs, building facades or staircases in Atget’s photographs still exist in today’s Paris. One photograph shows a shop window displaying white wedding dresses. The short elegant wedding dresses might remind us how far we are from the 19th century’s Parisian fashion.

Atget met his life partner, actress Valentine Compagnon in 1886 and moved to a fifth-floor apartment in 1898. Living in an apartment for a long time, he captured interiors of his own apartment side by side for his album of bourgeois Parisian interiors in 1910. One of his interiors photographs in the exhibition shows a huge painting of the great actress, Cecile Sorel on one of his apartment walls. It is said that Atget and his partner might admire Cecile Sorel because of her theatrical success.

Atget’s photographs of the street are one of the main groups of images in this exhibition. Those are also my favourite. Using an old wooden view camera for long exposures, Atget is said to work early in the morning to avoid street walking people blurring his pictures. The sky is grey on Paris’ foggy days. The roads, alleys, facades, squares, courtyards and adjoining houses in his photographs are quite remote from grand gestures.  I am speechless to describe his lyrical understanding of the street. Paris in his works seems like a lost city somewhere between night and dawn. Man Ray says Atget’s Paris is “still and seemingly empty yet full of extraneous detail”.

Printing out photographs in natural light on light-sensitive paper, Atget determined the proper density of images by his feeling during the printing-out process.  Therefore, the tone of his photographs varies from deep sepia to violet-brown rather than black-and-white, which contributes to his theatrical presenting of photographs.

I must not be the only person who cannot move in front of his photographs, and picture myself in mind on the deserted street of old Paris, a very dreamlike world.  Arget captured Old Paris in his lyrical way. Who are going to record today’s Sydney in their photographs for Australia’s future generation?

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Print journalism

Newspaper and magazine are no longer people’s favourite media platforms to get information. No matter what way you are looking at the industry of print journalism in the digital age, it is shrinking. No one can stop the drops in circulation of newspapers and magazines which leads to less advertising revenues. With less benefit, newspaper and magazine organizations are cutting their staff members. That means more and more journalists are losing their jobs because of technologies.

To survive, newspaper and magazine organizations are trying to take advantage of internet and other multi-media technologies. 2011 saw the first Australian daily newspapers, APN’s Coffs Harbour and Tweed Heads, shift from print to online daily publications according to Warren (2012). Now daily news of these media organizations is only available online and papers be printed once a week. Other newspapers and magazines, which are still printed today, also have their online version or different features, like leaving comments, on their websites to attract their audience. Susan Jacobson, who analysed the forms of news stories published on The New York Times‘ website, mytimes.com, from 2000-2008, says “multimedia packages grew over time to include new interfaces that incorporated elements native to digital environments such as hypertextual links, interactivity, elements borrowed from digital games and social media tools (2011).”  It is lucky that food and health magazines at least still remain strong in the industry in the digital age (Merrill, 2012).

Take Gourmet Traveller magazine which share food of the world and provide food recipes as an example, its audience can read a hard copy and also can subscribe their online version. People can even get their staff on their iPads. In addition, Gourmet Traveller published video clips, in which demonstrating how to make dishes, on their websites. Gourmet Traveller is also a good example which do attract advertisements on their websites such as nab and Ovarian Cancer research foundation.

References:

Merrill, P 2012 ‘Cataclysm or new dawn’ The Walkley Magazine, Issue 70, February – March.

Susan, J 2012, ‘Transcoding the news: An investigation into multimeida journalism published on nytimes.com 2000-2008’, New Media and Society, 0(0): 1 – 19.

Warren, C 2012, ‘Get set for a bumpy ride’ The Walkley Magazine, Issue 70, February – March.

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Why blog?

When blogs were talked in the early stage, scholars and media owners used to describe blogs as online diaries or journals. However, this metaphor limited the public’s understanding of blogs and blogs’ ability of being a journalistic activity (Baumeret et al. in Ekdale, et al., 2010). Thatis because blogs could influence the mainstream news agenda with more and more journalists and newspaper editors gathering information for their stories from blogs (Farrell and Drezner in Ekdale et al., 2010)). Take 11 September 2001 terrorist attacks as an example, during that period of time, writers used blogs to express their feelings and readers searched information from blogs because it is unavailable in the mainstream media (Blood, 2002; Drezner and Farrell, 2004; Scott, 2004 in Ekdale et al., 2010).

Recently, blogging has become a social activity incorporating blog readers and bloggers. Unlike traditional news, objectivity is not compulsory for blogs. Blog posts are more flexible with a form of narrative, leaving evaluation to readers. Some readers think blogs are more credible than mainstream media because they can read current issues in great depth from blog posts which are also relevant and understandable.

There are both intrinsic motivation of expressing feelings for people to start blogs and extrinsic motivation of communicating with others for people to continue their blogs (Liu et al., in Ekdal et al., 2010)). Furthermore, bloggers’ awareness of their readers is impacting on their blogs’ content and what identity they present to their audience (Nardi et al., in Ekdale et al., 2010). For instance, Australian local author, Charlotte Wood, published her new book, Love & Hunger: Thoughts on the gift of food. Wood says the idea of writing a book about food and love comes from her food blog, How to shuck an oyster, in which she just wanted to writer her experience of cooking for her family and friends at the beginning. Gradually, more and more blog readers knew her blog and started left comments on her each post. Now, Wood’s food blog story is on radio programs and online articles.charlotte-wood—love-hunger.mp3

(Screen cutting from Love and Hunger website homepage)

Wood communicates with her blog readers under each post sharing and discussing life experience about food recipes, life and love. Wood says that she can continue writing her food blogs is because of her readers’ encouragement. On the other hand,individuals will abandon blog because of declining of interests and inability to attract a wider audience (Ekdale et al. 2010).

Reference:

Ekdale, B, Namkoong, K, Fung, T K. F. and Perlmutter, D D. 2010, ‘Why blog? (then and now): exploring the motivations for blogging by popular American political bloggers’, New Media and Society, 12(2): 217 – 234.

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Reflective Practice on Sudanese refugee story

Sudanese fled to other countries with the hope to start a better life because of the drought, famine, war damage and limited infrastructure in their own country. About two million people have died during the First Sudanese Civil War of 1955 to 1972 and the Second Sudanese Civil War which started in 1983. Four million people have been displaced because of the war and conflict which fortunately officially ended with the singing of a peace agreement called the Comprehensive Peace Agreement (CPA) in January 2005.

Australia has given its assistance to the worst affected people from the region and now the Sudanese community is one of the fastest growing groups in Australia according to Australian Bureau of Statistics. Around 29,000 Sudanese resettled to Australia since 1996
from the latest report of Humanitarian Issues- Australia’s Response. During the past ten years, the number of Sudanese refugee arrivals has increased by an average of 34 per cent each year contributed by Australian Government’s large number of Humanitarian programme entrants for Sudanese. Among Sudanese refugees, 1% came and settled down in Canberra.

Although it varies from person to person, Sudanese refugees highly require assistance to gain training, work experience and employment in Australia to start their new life. Before they can get a job, language and culture barriers are their first challenges followed by education and health according to Sudanese Community Profile.

Prior Perspective

At the early stage, we only had the contact with Geoff McPherson, the president of Canberra Refugee Support, who gave us a lot of background information about refugees in Canberra and related contacts for our potential Sudanese refugee story. Then, we got contact with the Theo Notaras Multicultural Centre because there is a Sudanese community. Finally, we got contact with David Plok who is a Sudanese reverend servicing in St. George’s Anglican Church in Torrens where is a meeting place for many of
the region’s Sudanese refugees. David also organized other interviewees after we decided to produce a story focusing on St. George’s Anglican Church.

There are more than 15 million refugees in the world who are forced to flee their homes due to persecution because of political, religious, military or other problems according to a new report from the UN refugee agency. As defined in the 1951 United
Nations Convention Relating to the Status of Refugees
 (the Refugee Convention), a refugee is defined as a person who

“owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his
nationality, and is unable to or, owing to such fear, is unwilling to avail himself of the protection of that country or return there because there is a fear of persecution…”

I agree with Probyn and Butterly (2011) who said the main reason for refugees’ journey was seeking for a better life. However, even the refugees reached a safe country like Australia, they still face huge challenges.  Some of them have to deal with their refugee
status firstly and then probably language and culture barriers. Another big challenge is finding a job to feed themselves and their families. Before they can get a job, some of them have to gain the necessary skills required by the employers.

Unlike immigrants, refugees have been forced to flee their homeland which makes refugees differ from immigrants since immigrants usually arrive after much preparation including study of the second language according Hamilton and Moore (2003). Therefore refugees are more at risk for mental health and academic dysfunction.

Therefore, I strongly agree with the Australian Greens’ policy on refugees 2010:

Services for new migrants and refugees would include appropriate English language classes, social security, legal and interpreter services, programs to ease transition to Australia’s multicultural society, and post-trauma counselling where needed.

Below are the changes to refugee and asylum seeker policy in Australia since 2007:

In government, the Australian Labor Party (ALP) has introduced a number of changes to refugee policy since its election in November 2007. These include:

the closure of the offshore processing centre in Nauru;

an end to the Temporary Protection Visa system;

the introduction of a merit-based appointment process for the Refugee Review Tribunal;

the abolition of the “45-day rule” bar on asylum seekers’ access to work rights and basic health care;

an increase in the total Refugee and Humanitarian Program from 13,000 places (2007) to 13,750 (current);

the replacement of the Howard Government’s Community Care Pilot with an ongoing program to support asylum seekers living in the community;

some reforms to immigration detention including the development of “New Directions in Detention”, an outline of principles for the conduct of immigration detention centres;

the abolition of the policy of charging immigration detainees for the cost of their detention;

the suspension of processing protection applications for people from Sri Lanka and Afghanistan;

the reopening of the remote Curtin Detention Centre;

and legislative changes to increase penalties for those convicted on people smuggling and providing material aid.

On assignment for reforting refugees

By magnusfranklin

Our refugee story is based on a Sudanese community in St. George’s Anglican Church in Torrens, Canberra. We spent three Sunday afternoons listening their singing, praying and joining their socialising activities. They allowed us to film their activities and shared their personal stories with us.

There are a high proportion of single mothers in Sudanese community in Canberra
because their husbands died in the war. Most of Sudanese refugees came to Australia with their families since 2006 by plane in this community with the hope their relatives and friends can come to Australia and join them someday. Young people in this community can take advantage of ACT government’s assistance to learn English while it is hard for old people to start learning a new language. What massage they want to send is helping us find a job.

Through the refugee report project, I can strongly feel that refugees are trying to get into the wider Australia communities since they settled down in Australia.  They welcome every
opportunity to get along with local Australians.

I think that every human being have the rights to seek for a better life for himself and his family. Refugees are the people who are forced to leave their home and start the journey for a better life.

Although human rights principles and the provisions of the Refugee Convention are the first things being taken into consideration, respective colonial and federal governments on the other hand have always stuck to the principle that they have a sovereign right and, indeed, a duty to control immigration and refugees since Australia was first settled (Vrachnas, Boyd, Bagaric and Dimopoulos 2008).

That is because “refugee law is designed and administered by states, the availability and quality of protection varies as a function of the extent to which the admission of refugees is perceived to be in keeping with national interests (Lambert 2010)”.

LESSONS FROM THE FIELD

Phillips and Lindgren (2006) said “the longer television format with three layers of information (vision, audio, and script) can make it more difficult to retain a clear and logical storyline”. Logic is also our first big challenge when we try to tell our refugee story to our audience with doing six interviews for the story.

I did two of the interviews without a teammate which caused a lot of pressure on arranging talents, taking charge of camera and having interviews.

Having a chat with the refugee talents before doing the interviews can make them comfortable and open their hearts to us.

For my next time to produce a TV story like that, I will find a good location with enough light and less noisy background for my interviews. It may be a good idea to have interviews with nature sound as background which is related to the story in some cases but for my last story, the background noise in some of the interviews almost killed us when we edited on the next stage.

Make a backup plan before we go to the field in case that something unexpected happens. On the first Sunday, we haven’t enough space in our camera to film interviews after we filmed some footage for our story. One the second Sunday, the microphone didn’t work because of low content battery. Therefore, I think it is better to bring extra batteries both for microphones and cameras and extra memory card in case that we need more space to film.

I agree with Stuteville (2007) that it can be a lifesaver to have a second person as a note taker and extra set of ears. I learned this lesson on the second Sunday.

Bibliography

Hamilton, R. and Moore, D. (2003) Educational Interventions for Refugee Children: Theoretical perspectives and implementing best practice,  London and New York: RoutledgeFalmer Taylor & Francis Group.

Lambert, H. (2010) International Refugee Law, UK: University of Westminster.

Phillips, G. and Lindgren, M. (2006) Australian Broadcast Journalism (2nd edn),  Oxford: Oxford University Press.

Probyn, A. Butterly, N. 4 May 2011 ‘Better life main reason for refugees’ journey’, The Sydney Morning Herald.

Refugee Council of Australia (RCOA) 2010, Refugee Policy in the 2010 Federal Election Campaign: What The Parties Are Saying, RCOA.

Stuteville, S. 26 March 2007, ‘13 simple journalist techniques for effective interviews’

Vrachnas, J. Boyd, K. Bagaric, M. Dimopoulos, P (2008) Migration and Refugee Law (2nd)
Cambridge: Cambridge University Press.

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